1898 onwards, Munshi Mehdi Hasan had written a number Urdu of adaptations from Shakespeare's plays. His Khun-e-nahaq (1898), Vikram Singh Thakur notes, "was transformed into a musical. The play opens in the court of Claudius 'celebrating the nuptials of Claudius and Gertrude with dance and music.'" Music became an integral part of these performances.
Thakur mentions that trained singers such as Amir Jan, Moti Jan, Gauhar Jaan, and Munnibai became associated with the Parsi stage.
In 1905, we are told, the Corinthian Theatre in Calcutta was hosting a Parsi theatre version of Hamlet in 1905, alongside "the tableaux dance of Kamr-al-Zaman-Badoora" on "bioscope worked by electricity." (Rosie Thomas, Bombay before Bollyood)
Gauhar Jaan, born Angelina Yeoward, was of Armenian descent. Her celebrity as a vocal performer reached foreign shores in the form of recordings and postcards and matchbox labels, as Vikram Sampath notes.
I am not aware of any reference to Gauhar Jaan playing Hamlet, or even posing as Hamlet for postcards, but here we are at the Corinthian Theatre, looking at this unlikely but amazing combination.
The postcard is currently part of my personal collection.
Thakur mentions that trained singers such as Amir Jan, Moti Jan, Gauhar Jaan, and Munnibai became associated with the Parsi stage.
In 1905, we are told, the Corinthian Theatre in Calcutta was hosting a Parsi theatre version of Hamlet in 1905, alongside "the tableaux dance of Kamr-al-Zaman-Badoora" on "bioscope worked by electricity." (Rosie Thomas, Bombay before Bollyood)
Gauhar Jaan, born Angelina Yeoward, was of Armenian descent. Her celebrity as a vocal performer reached foreign shores in the form of recordings and postcards and matchbox labels, as Vikram Sampath notes.
I am not aware of any reference to Gauhar Jaan playing Hamlet, or even posing as Hamlet for postcards, but here we are at the Corinthian Theatre, looking at this unlikely but amazing combination.
The postcard is currently part of my personal collection.
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